影(🕗)片(👎)故事由(yóu )一(yī )次旅途展开,七(🚚)个(🧞)(gè(🚾) )互(hù )不(bú )相识的人,冥冥(🎩)之(🥓)(zhī(🍠) )中(zhōng )上了同一辆车。在(zà(🥒)i )车(🥃)(chē(🐄) )辆进入黑暗的隧道后,却永(🍾)远开不到尽头(tóu )。经过多种尝(🎬)试(🌥),他(💤)们依(yī )然无法逃离。莫名(🗨)(mí(🤷)ng )出(☝)(chū )现的尸体,死而复生的(🏳)(de )故(🆖)人(⛺)以及突如其来(lái )的(de )凶杀接(🔼)踵而(🙅)至。和这(zhè )没(méi )有(yǒu )尽头(📋)的(🍡)隧(😅)道一样(yàng )恐(kǒng )怖的,是每(😟)个(👼)人在黑(hēi )暗(àn )中逐渐暴露的(🗣)人(🈹)性(⛳)(xìng )……
Mankind teams up with Hell to save existence from extinction at the hands of a rapturing giant Jesus.
You won't be sleeping. Time for Angela to pass the torch? ONLY she knows.
★ 港版《丹麦女(nǚ(🔇) )孩(🖨)(há(🌊)i )》 勇敢用爱为自己发(fā )声(📽)(shē(🅿)ng )!
宅(👰)男送貨員Min-jae開著(zhe )他(tā )的摩托(🐖)車,偶爾迷路(lù )或(huò )失手派錯(🎭)件(🍦),每(📙)天(tiān )只(zhī )為送件予他暗(🥑)戀(🖱)的年輕(qīng ) OL Da-young ,但總是不敢直望(🗒)(wà(🈁)ng )著(🥦)(zhe )女神。另一方面,Da-young覺得(dé )自己(🕓)在公(🙀)司無前途(tú ),老闆不會給(🍈)她(🈷)升(🕛)職加(jiā )薪(xīn ),還被老闆女(🦗)兒(📜)兼(jiān )同(tóng )事冷嘲熱諷。曾拍攝(✂)(shè(🎬) ) 《Delta Boys》、(👎) 《Loser's Adventure》 等喜劇小(xiǎo )品(pǐn )的導演(🔲)高(🥧)奉(🏝)洙,與(yǔ )演(yǎn )員(yuán )班底再(🥍)度(🍬)合(🥀)作,今(jīn )回(huí )以打工仔的角(🚳)度看(kàn )大(dà )時代的社會,加入(🏟)了(💍)(le )差(🐹)(chà )利卓別靈式的幽默(mò(➰) )滑(💷)(huá )稽元素拍成黑白默片,讓(🥋)觀(✝)眾(🖊)看看他鏡頭(tóu )下(xià )的小人(🐒)物,如(✏)何在荒誕(dàn )的職場世界(🐎)裡(🛴),浮(🍼)(fú )浮(fú )沉沉,處處碰壁之下(🚿)(xià ),繼續處之泰然,幽(yōu )默(mò )面(🔕)對(🛩)人(🍲)生。
潘仲明上(shàng )班(bān )前突(🌉)然(🖨)接(🕋)到一条女(nǚ )儿(ér )被绑架(🚦)的(😾)微(🏦)信小视(shì )频(pín ),女儿情况十(🐃)分危急(jí )。救女心切的潘氏夫(🛠)(fū(⏬) )妇(㊙)(fù )决定甩开警察私下和(🏋)(hé(🧜) )绑(bǎng )匪交易,未料出现(xiàn )种(zhǒ(🚶)ng )种(🛅)意外。此时妻子埋藏(cáng )多年(🖖)不(💜)为(🥃)人知的秘(mì )密(mì )也随之(🌟)而(🥍)浮(🎎)出水面,使(shǐ )局面更加扑所(🖖)迷离(lí )。事情究竟缘何而起?(🈁)绑(😡)(bǎ(🕯)ng )匪到底为何人?女(nǚ )儿(🎸)(é(💿)r )能(🛋)否平安归来?惊天(tiān )阴(🔸)(yī(🐸)n )谋(👁)正在上演……
Milan Maric将(jiāng )饰(shì )演(📦)前苏联著名讽刺作(zuò )家(jiā )谢(👻)尔(📮)盖(🎒)·多甫拉托(tuō )夫(fū )。影片(🎬)聚(💬)焦多甫拉(lā )托(tuō )夫生命中的(🛷)短(🌤)短六天(tiān ),呈现了70年代苏维(🔘)埃(🛫)(ā(🧕)i )的(de )政治酷寒和动荡。多甫(⭕)(fǔ(🎂) )拉(👗)托夫将为了捍卫(wèi )自(zì )己(🐇)的天赋和独立而战,而他的艺(🎷)术(😋)家(🛢)朋友(yǒu )们(men )却纷纷离他而(🏖)去(🤯)。唯(🔯)一(yī )和他站在一起的人(🌥)(ré(🧦)n )是(🏻)(shì )他的朋友约瑟夫——后(🌪)(hòu )来的诺贝尔文学奖(jiǎng )得(dé(⬛) )主(🏙)约(🎢)瑟夫·布罗茨基(jī )。
The film is about the early years of famed children’s author Astrid Lindgren (Pippi Longstocking) when she experienced something that was a “combination of both miracle and calamity that came to shape her entire life.”