“没有名字的我,没有(🚜)未(🗄)来的她”
When a couple visits a remote cabin and cross paths with a compulsive liar, their vacation takes a dramatic turn for the worse.
雷(📸)(léi )切尔和(hé )男朋友(yǒu )分(📣)(fèn )手了回(🔢)(huí(🕸) )到家中(zhō(👜)ng )发现室(shì(🚗) )友把她(tā )的床(⛷)卖(mài )了,于(🐙)是她们俩只(😩)能睡在一张床上,在某(😭)个(👩)不可描(miá(🤶)o )述的夜(yè )晚(📞)个夜(yè )晚,她(tā )两之间(🕖)(jiā(🚾)n )发生了(le )一(🚶)些事(shì )情,蕾(lěi )切尔动(dò(🔓)ng )了真情(qí(📈)ng ),而室(shì )友却(🧀)觉(jiào )得她(🦓)太(tài )黏人,两个(🤣)人(rén )的友(👁)谊(yì )因同床(📕)(chuáng )共枕,而发生了微妙(🍁)的(⛪)变化。@橘里(😏)橘气译制组
这部电影的(🈷)故事背景(🤠)让(🐧)人(rén )不禁(🐀)回(huí )忆起(🆘)《逃(táo )出绝命(mì(🎱)ng )镇》。一位黑(✋)(hēi )人男性(xì(⛷)ng )(杰森(sēn )·米切尔饰(👍))(🗝)在周末的(🍱)时候,因为觉(⏸)得周围只有白(bái )人朋(🏾)友(🌌)(yǒu )所以觉(🍽)(jiào )得十分(fèn )紧张。当然,这(🛷)部作(zuò )品(🎣)与乔(qiáo )丹·(🛣)皮(pí )尔去(✈)年(nián )那部符(fú(🕞) )合大众(zhò(📭)ng )口味的(de )《逃出(🐘)(chū )绝命镇(zhèn )》不同(tóng )。智(🌽)利(💞)导演塞巴(🥨)斯蒂安·席尔瓦是一个(🦗)古怪的人(👼),他(㊙)的电影如(🥄)《女仆》、《水(🐅)(shuǐ )晶仙女(nǚ )》、(🚑)《肮(āng )脏的(🏫)婴(yīng )儿》都(dō(💲)u )倾向于(yú )剑走偏(piān )锋(😂),故(⛷)(gù )事开始(💪)会有点怪异(➿),而之后则会变得更加(🍎)怪(📩)异。这(zhè )种(🕕)风格(gé )对于《周末生(shēng )日(👫)游》意味着(🕴)(zhe )什么呢(ne )?还(🐃)不(bú )知道(👝)。但我们(men )非常期(🌅)(qī )待这种(📲)(zhǒng )不确定(dì(🍑)ng )性,况(kuàng )且演员(yuán )阵容(🚛)中(🦋)(zhōng )还有克(👠)里斯托弗·阿伯特、迦(🥩)勒兰德里(🧕)·琼斯,迈克(🍊)尔·塞拉(🤛)和安·道德。
《被(🥍)(bèi )遗忘的(🎆)(de )季节》是(shì )一(✡)部惊(jīng )悚片,讲述了(le )一(🕜)个(👰)平(píng )凡的(💕)人(rén )在成为(📜)杀人犯的过程中出现(💤)的(👁)互助、放(😣)任等人类心(xīn )理。将(jiāng )平(🍽)凡而(ér )又(🥦)寒心(xīn )的无(😾)业(yè )游民(📔)设(shè )定为犯(fà(🎋)n )人,将(jiāng )弟(🍢)弟设(shè )定为(🎱)充(chōng )满出人(rén )头地欲(⛸)(yù(🏿) )望的记(jì(📃) )者,将(jiāng )偶发性(xìng )的一次(🐚)(cì )杀人与(✡)另一个个人(🏀)的欲望相(🏀)遇,如何演变成(🍃)连环杀人(😲),平凡的犯人(😤)为什么成为(wéi )怪物。
麦(🍌)子(📐)的丈(zhàng )夫(💸)马豆(dòu )根在(💹)煤(méi )矿事故(gù )中受了(🍾)(le )伤(🍙),完(wán )全瘫(💅)痪不能治(🏖)愈,由此引发出(⬇)麦子跟马(🚲)豆根和矿主(🍍)(zhǔ )老于之(🈶)(zhī )间充满(mǎn )悬(🎬)疑色(sè )彩(Ⓜ)的一(yī )场人(🔀)性(xìng )较量,麦子用(yòng )她(💹)的(🥖)坚(jiān )贞和(💡)执(zhí )着发现(xiàn )了美丽(lì(💉) )谎言背(bè(🌫)i )后的真(zhēn )相(🏚),她(tā )对未(🏫)来(lái )的生活也(🈳)不知会做(🎒)出怎样的选(❣)择。
Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.